This changes everything! I've been a fan of Japanese whiskeys and Nikka has been my favourite distillery discovery so far, but I was wary whether they could extent their talents to gin as well. Boy was I wrong about that. This gin stands out. The flavour is crisp and sharp with a delightful blend of yuzu and umeboshi with hints of tarragon and as a sipping gin it excels, but in a gnt I found it difficult to balance but with a sprinkle of mint it transcended it a lovely summery refreshment. Highly recommended. #gin #gins #ginstagram #nikka #nikkacoffeygin #nikkacoffey #ayearonthegin #gnt #booze #cocktails #alcohol #ginandtonic #mint #twitter #snapseed #iphone6plus
It was with great sadness that we have learnt of the death of John Rixon (a.k.a Amukidi) on Monday 14th January. John had suffered a stroke on Boxing Day and since then had been in hospital.
I wrote a few word for the Echaskech facebook page to try and mark his passing:
John was instrumental in legitimising the clubbing world’s use of visual arts: as visual coordinator for the Big Chill he helped and supported numerous audio visual acts - including ourselves - to get seen and heard. He was a huge fan of electronic music and was always keen to find out what we were up to.
His own creations were always a joy to behold. Under the alias “Amukidi” (his name coming from a track by his long time friend and collaborator Roger Eno) he blended slow moving constantly changing abstract organic shapes and textures into ever changing landscapes that encouraged the audience to stop and engage with.
In 2010 along with Simon Wild he curated “Quiet Voices” a show at the Tate Britain gallery that featured live audio visual performances by artists such as Roger Eno, Jon Hopkins, Alucidnation and Animat (to name a small selection) and a short film programme that explored the nature of quiet. I was incredibly honoured to be selected to contribute a film. To be given the opportunity to have something that I help make be shown at one of the UK’s leading art galleries is still my highest accolade, and for that I am still humbled and will be forever grateful for the trust that John placed in me.
Though what will be missed the most will be John’s warm, friendly manner, supportive nature and his acerbic wit. Never one to mince words he always cut to the chase and let you know exactly how he felt whilst raising a smile..
My last meeting with John was at Awamu’s Together festival. We caught up and shared new musical findings he asked me what I was working on. I was reticent to bring it up because my current project (which had stalled) was so ephemeral and pointless and, when I’d discussed it with others, their eyes had glazed over. But not John - his eyes lit up and he grabbed my arm “Mark! You must finish this! I have to see it! It sounds right up my strasse!” Only John had that uncanny ability to see what I was trying to achieve! My last sight of John was of him grinning, bouncing around to a deeply ambient set by Misled Convoy, whilst mixing his beautifully intricate visuals across the screens. He never looked happier.
Our thoughts are with all who loved John but especially to his wife Sarah and his children Pheebs and Clare.
You can happily spend hours watching John’s videos on Vimeo here
“Here it is the groove slightly transformed Just a bit of a break from the norm
Just a little somethin' to break the monotony
Of all that hardcore dance that has gotten to be
A little bit out of control it's cool to dance
But what about the groove that soothes that moves romance
Give me a soft subtle mix...”
Here’s the “studio” cut of a mix I performed at Awamu’s third “Together” festival. It’s pretty much what I played but I added a longer introduction to it (which might help it last longer on SoundCloud) - the opening lines are from Grant Green’s amazing “Slick! Live at Oil Can Harry’s” lp - and there is a “bonus” track at the end that I really wanted to play but I knew time wouldn’t allow it, bcut for you, dear listener, you get to experience the genius of Raj Pannu’s “FSOJ”. The third track is a mashup of Skee Mask’s “Session Amp” and MJ Cole’s UK garage classic “Sincere” with extra beats and production courtesy of the ever patient Andy G from Echaskech.
Hope you like it! Here’s the...
Louis Cole (feat. Genevieve Artadi) - When You're Ugly
Don Froth - A Broad Range Widescreen Mix
MJ Cole vs Skee Mask - Sincere Amp (Mach And G’s mix)
LCD Soundsystem - Oh Baby
Echaskech - Twich
Deft - One Eye Open
Jim-e stack - Moments Noticed
Gnork - U
Joe - mph
Dolly Parton - Jolene (Todd Terje remix)
Maribou State - Turnmills Club Mix
LXURY (Feat. The Deptford Goth)- Square 1 (Vox DUB)
Nasaya (feat. cehryl)- Orange
Telefon Tel Aviv - My Week Beats Your Year
Adam Port - Here is Why - Tonight (Adam Port Autobahn Edit)
Loidis - A Parade
Raj Pannu - FSOJ
As part of my continuing and seemingly never ending fascination with Bob Ross, here is episode 1 from season 31 with (along side the intro and outro) just the colours/colors or the word colour/color mentioned. Don't ask because I don't know. But I do know there's a lot more of these to come so you better just get used to it.
Following the upload of 'Friends Season 1 overlaid' (and the subsequent removal of it) I thought I'd try the same trick with US painting legend and guaranteed sleep aid: Bob Ross. This is every episode of season 31 (apart from the one with Steve, I mean... who needs Steve?) overlaid with a 10% opacity for each episode and a lighten blend applied. To give the episodes an anchor point all the episodes are approximately lined up when Bob says, "Let start..." The result is... trippy, but relaxing which is easily one of my favourite states to be in.
It's taken me a surprising two days to make this but the idea is to do the whole 300 odd episodes as one overlay (but not the ones with Steve, because, well, come on... not Steve*) so as long as I don't get sued and I find lots and lots of spare time I might do that.
*Steve is a great painter - possibly better than his father Bob - but he breaks the patterns here. And he keeps me awake.